Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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william r clark
australier narmar sig forsiktigt en upptacktsresan des lager i odemarken.

ID: 59320

william r clark australier narmar sig forsiktigt en upptacktsresan des lager i odemarken.
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william r clark australier narmar sig forsiktigt en upptacktsresan des lager i odemarken.


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william r clark

1829-1912  Related Paintings of william r clark :. | brittiskt trupplager vid himalayas fot omkring 1840 | t v detta medeltida manuskripda man uskript visar hur alexander forstor falska gudar | den storsta expedition som hittills sants till antarktis var den amerikanska 1946-47 | mount whiney isydandan av sirra nevada bestegs forst 1873 av tre fiskare. | barth kallade staden kano for central afrikas stora knutpunkt |
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Giottino
1325-1370 Italian Giottino Gallery was an early Italian painter from Florence. His real name was Maso di Stefano or Tommaso di Stefano. Giottino's father was himself a celebrated painter; his naturalism earned him the appellation "Scimia della Natura" (Ape of Nature). He instructed his son, who applied himself with greater predilection to studying the works of the great Giotto. Since he formed his style on Giotto's works, Maso became known as Giottino. The frescoes in the chapel of San Silvestro in the Florentine Basilica of Santa Croce are attributed to Giottino; these represent the miracles of Pope St Sylvester as narrated in the "Golden Legend". A large number of other works have been attributed to Giottino including Apparition of the Virgin to St Bernard and a marble statue erected on the Florentine campanile.
Henry Perronet Briggs
British Painter, ca.1791-1844
Henri de toulouse-lautrec
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),






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